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Speaking of Africa

on June 28, 2008
Category: Art, Africa - Creative Arts

Changeseeker, of Why Am I Not Surprised, says, “Yesterday, surfing the web for the first time since I moved last week, I decided to stalk my favorite website builder’s work and came across a call for applications for the Focus Features Africa First Short Film Program. The application period opened May 12th and closes July 15th, so if you don’t have an idea you’ve already fleshed out pretty seriously, it’s probably too late. And the competition is only for African filmmakers. But you never know.

The Focus Features Africa First Short Film Program will award up to five (5) emerging African filmmakers $10,000 (U.S. dollars) each towards the pre-production, production, or post-production of their short film. Winners will also participate in a three-day workshop in New York City. So, if you or someone you know would be interested in this opportunity, I hope you’ll pass along this information right away.”
[source…]

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The road to happiness is long - could be thousands of miles, if you persevere you may get there, BUT

on June 4, 2008
Category: Immigration Europe, Africa - Creative Arts, Journal

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Perils of lies will await you on the roadside, watch your front and back, turn sideways and round in a circle. Look to the sky, this is the home of ancestors with their eyes of ten thousand splendid suns watching over you.

Beware of “enemies” in the shape of “friends”, you have to look INSIDE and walk on your toes……… Take chances but be wise and watch watch watch.

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At the end of the thousands of miles you walked to find happiness, you may find the land is not so sweet, the people not so welcoming. Too late, dear child you cannot go home, not yet at any rate. Dont take off your shoes because you will have to run and run damn fast. When you do, just keep looking to the sky.

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Thanks to Lance for his drawings which always stretch the imagination.

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Removing the mask - faces of African lesbians

on March 8, 2008
Category: South Africa, Africa - Creative Arts, LGBTI, African Women

Faces and Phases is a 2007 exhibition by South African photo activist Zanele Mutholi. Zanele describes the face as expressing the person but for her the face is her own face to face meeting with women in her community of lesbians in the Guateng townships of “Alexandria, Soweto, Vosloorus, Katlehong, Kagiso”. The phases are the stages and identities “which unfold in parallel in our existence“.

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Individuals in this series of photographs hold different positions and play many different roles within the black lesbian community: soccer player, actress, scholar, cultural activist, lawyer, dancer, film maker, human rights/gender activist. However, each time we are represented by outsiders, we are merely seen as victims of rape and homophobia.

The essence of each of the women is captured through their faces which together with stance and clothing are expressions of their sexuality. The photos [both this exhibition and others by Zanele] give an insight into how we create meaning of ourselves and the world around us, the feelings from inside which drive us to being who we are. I can’t express where these feelings come from, I just know they are deep inside and the only relief is to let them out by expressing them physically and emotionally. When those meanings - attitudes, beliefs, expectations, dreams, everything that is YOU - challenge patriarchy and social mores they become stigmatised and hold painful consequences for those who dare to release their inner selves. In such hostile environments, coming out is an act of resistance and creating meaning through community is a further act of resistance and also one of survival.


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Zanele mentions the pain and the joy behind some of the women…

From an insider’s perspective, this project is meant as a commemoration and a celebration of the lives of black lesbians that I met in my journeys through the townships. Lives and narratives are told with both pain and joy, as some of these women were going through hardships in their lives. Their stories caused me sleepless nights as I did not know how to deal with the urgent needs I was told about.

The pain of being violated by men as well as of being ostracised from family and community. These pains leave many African lesbians dislocated with feelings of unbelonging and guilt leading to depression and low self-esteem and more violations of self and partners. But there is also joy. The joy of being oneself and living within the body and mind that is comfortable and is you. Of standing up and making the declaration that this is who I am no matter what. The joy of loving and being loved by lovers and friends. But it remains a daily struggle as homophobia follows you around like a shadow in the fading light.

And the tentacles of homophobia reach across the Sahara and Mediterranean to engulf you in the Diaspora. Many African lesbians living in the West, which is not an easy choice in itself, find themselves living in isolation. The need to be part of our nation in exile conflicts with the need to be our lesbian selves. Do you become anonymous or resign yourself to forced heterosexuality, denial and deep depression? Far from home the loss of family, community and religious affiliation is exacerbated. For those who do not have papers there is the additional stress of being found by the police and immigration authorities and having to fight for survival on multiple fronts. To get a job and send money home; to be out; to hide your immigration status; to disappear and become invisible in all aspects of your life.

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Zanele describes her photographic work as “visual activism” and a way to “mark resistance and existence as black lesbians in our country, because it is important to put a face on each and every issue“. By writing about Lesbian lives on Black Looks, I also aim to “mark the resistance and existence of Black lesbians in Africa and the Diaspora.”

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Life of Pahé

on February 17, 2008
Category: Africa - Creative Arts, Literature

This month’s Words Without Borders has a special issue on graphic novels from around the world.

I loved this short extract from series by Pahé (Patrick Essono) whose childhood experiences bring to life two myths. One the myth of a Europe with streets of gold and the other, the myth of returning to the glorious homeland.

The story starts with Pafe as a little kid in his small town in Gabon, playing with his friends, sharing in the stories of relatives returning from far off places and dreaming of going to France. His dream comes true and off he goes with his family to Paris where he is the only Black kids in the class. Here he has to endure the racist mockery from his white class mates. The irony is back in school in Gabon, he is once again introduced to his class mates, this time as Mr Frenchy to which all the kids start shouting “whitey” “whitey” but the taunting doesn’t stop there. Eventually tired of the “slaughter” he challenges another kid to a fight which he looses and has to return home feeling ashamed having got his face “rearranged”.

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Black history month: cartoonists

on February 3, 2008
Category: African Diaspora, African History, Africa - Creative Arts

When we think of the history of Black people in the African Diaspora, cartoonists and graphic novelists rarely come to mind so here I thought I would mention a two Black artists, one cartoonist Morrie Turner and the other graphic novelist, Lance Tooks, who have made significant contributions to their profession. Starting with Morrie Turner, who created the “Wee pals” (1965) comic strip and later “Kid Power” an animated TV show from the 70s.

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Both Wee Pals and Kid Power involved a group of kids from various ethnic backgrounds and it was this multiculturalism that is woven through all of Turner’s work.

It’s this particular care for detail that makes Morrie Turner, the creator of the first truly integrated comic strip, Wee Pals so successful as a cartoonist. His work pivots upon the issue of sensitivity to others. Awarded numerous awards for his work in cartooning, Morrie Turner’s KID Power, Rainbow Club, Wee Pals characters are used to promote brotherhood & multi-culturalisim. Long before ‘Multi-Culturalism’ became the politically correct catch phase of the `90’s Wee Pals presented that message as early as 1965.

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The second artist is the more contemporary graphic novelist, Lance Tooks, author of a number of graphic novels including “Narcissa” As well as his graphic novels, Lance also writes comic strips and blogs at Lance Tooks (more sketches here). His work is amazingly beautiful with strong images of Black woman like this one below.

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Also check out his “Unpublished Symphony series here.


Links: More on Lance’s graphic novels

NOTE: There will be a celebration of the work of Morrie Turner as part of the “Drawn in Black and White: a panel discussion on African Americans in Cartoons and Comics” on February 16th, Museum of Pittsburg

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