A New Nigerian Literary Order
I will argue for a new Nigerian literary order.
Suppose we call this ‘neo-literariness’, for want of a better word, and because in hyphenation a word acquires two identities. So, neo-literariness is the word to use for a generation of writers and enthusiasts who function despite institutional lapses, and whose artistic engagement thrives of new ways of being, especially web-technology.
I will explain with a few examples.
In 2009, Dami Ajayi and I began publishing Saraba Magazine, which to date has published 12 issues of PDF magazines, 5 poetry chapbooks and 2 sub-issues. We have, so far, received no grant, or made no profit, but we have published up to 120 writers from 5 continents. How do we manage to do this? When I am working on any new issue of Saraba, I wonder how these far-flung writers get to hear about our work. And this is more surprising because we have clearly defined our Nigerian and African sensibility. The answer is not far-fetched; something about how literature is exchanged is changing.
I think that the change that is happening is happening for two reasons — ease of accessibility and ambitiousness. The first is easy to explain. I pay about one thousand five hundred naira for weekly internet subscription. My subscription is 20 hours with a validity period of one week. I live in Lagos, which means I get 3G easily. If I lived in Umuahia, where I recently visited, I will barely struggle with EDGE. So although I know that there are exceptions, and not everyone is asprivileged as I am, I understand that there increasing numbers of Nigerians on theInternet explains ease of accessibility, that at least, people find ways to do what they have to do online. And wasn’t it Gbenga Sesan (@gbengasesan) who retweeted that Nigeria had the fourth largest Internet users on earth?
But ambitiousness as an indicator of neo-literariness is a different matter. It means that our literature is changing because writers and literary enthusiasts are finding their voice on the Internet, as literal as that sounds. It means that writingaside the Internet, in this generation, is a failed endeavour. Even my most secluded of friends, Ayobami, has a blog. There has to be, I repeat, something happening for you online. There’s a plethora of Facebook groups, blogs, websites, that attest to a multifarious ambitiousness.
Because the first place a writer gets published, at least in my generation, at least most writers, is on a website. There are indications that more and more lit-websites will be hosted in the coming years, as we lack the structure in Africa for print journals. Saraba, although named as one of top African lit-mags, is yet to publish a print edition, if we ever will. I dare to mention the importance of this although we have equally seen how dangerous this could be — with the ease of accessibility people tend to pose as ‘critics’ without knowing the meaning of the word, or the art, the speculative erudition required. For the danger of our neo-literariness is the spontaneousness with which we can write — a tweet, a post, a comment, even before we have thought out our stance. …. Continue to The Mantle