In a meeting last week, I made the point to my colleagues that Twitter was the greatest webtechnological innovation of our last decade. There was stifled laughter, mockery lingering in the faces of my listeners. I have re-contemplated that stance, each time coming to the same conclusion. It takes quite a lot of fiery compositional intelligence to make sense in 140 characters. But it takes some patternized diligence to conceive a project on a twitter platform.
In Addis Ababa last December, I had a momentary feeling that I was accommodating too much self-love, too much disdain for the Other. Being a Christian as I am, I am taught to consider myself more lowly, to think in terms of others. And I’ve readied myself for the bliss that comes from opening one’s self.
To achieve this, I thought of how we are enveloped by the facts of life, the fixated and systematic renderings of existence. And how this fixatedness transcends a person, for laws are no respecter of persons. In many ways life is expressed in Laws, and the absolute will always overcome the relative. In many ways, we walk within firm parentheses.
So, my #FoL project, or ‘play’ject is an attempt to reach to the firm parentheses of life, to see and record facts that appear universal. For instance:
“Waiting is a convenient excuse for idleness.” And, “Some churches will accommodate everything except your admission of impeity.”
What Twitter affords is the ability to state unequivocally, without the space for debate. The truth and falsity of each statement is often left undebated, as I guess most people who come across my tweets will either smile, shake their head disagreement, or look away.
And we must also recognize the hilariousness of our Twitter life, the humour in its narrative. You will find @toluogunlesi useful in this regard (a week ago, I met a man who, meeting Tolu for the first time, was surprised at the unassuming face behind the ROTFL tweets.)
So, if you may, and only if you may, follow me @emmaiduma, and let’s declare the Facts of Life together.