Fespaco 2007
on February 21, 2007
Category: African Diaspora, Africa - Creative Arts

The 20th FESPACO ( Pan African Film and Television Festival of Ouagadougou) takes place between 24th February and the 3rd March in Ouagadougou, Burkina Faso (The name means “Land of honest men and was changed from Upper Volta by the late revolutionary leader Thomas Sankara). 
Every two years, the desert city of Ouagadougou becomes the center of Africa film from the continent and Diaspora. The festival has grown from its inauguration in 1969 when only 5 countries were represented (Senegal, Burkina Faso, Ivory Coast, Niger and Cameroon) to this year with films from almost every country and the Diaspora being represented. Every two years, the desert city of Ouagadougou becomes home to African film from the continent and the Diaspora.
In 2005 the South African film DRUM (set around the famous South African magazine ” Drum”, the film is about the forced removals of black people from Sophia Town) took the grand prize. 2005 was also the year when two Hollywood productions were shown, Hotel Rwanda and the far better “Sometimes in April” both dealt with the Rwandan genocide. Commenting on the 2005 film festival and the lack of availability of African films to both local and the wider global community I wrote
The unfortunate thing is that very few of these films will be available to a wider audience outside of the film festival circuit. African films to do not bring in millions of dollars to cinema houses around the world and Africa itself has very few cinemas where films can be viewed by a large number of people. Some of the films may be transferred into video or DVD format but even these are so expensive that only organisations could afford to buy them.
So why are African films so expensive that local African TV stations cannot afford to screen then and individuals like you and I cannot afford to buy them on DVD or videos, that’s if we can find them in the first place. The answer lies with the California Newsreel. They own the distribution rights to many African films enabling them charge exorbitant prices to institutions and individuals for screening and DVDs. Distribution takes place through their “Library of African Cinema”. For example check their restrictions on the cheapest option “home videos”.
On a positive note these issues will be addressed this year as part of the thematic discussion “African Cinema and Culture and Diversity” which will include topics such as the state of African cinema and issue of distribution
This year’s talk of the festival is the film “Bamako” by Malian filmmaker Abderrahmane Sissako. The film takes a critical look at the World Bank/IMF and their impact on grassroots communities in Africa by putting the institutions on trial with two ordinary people as witnesses.
The film tells the story of Melé—a bar singer—and her unemployed husband Chaka. Their marriage is coming apart. In the courtyard of the house they share with other families, a trial is under way with the World Bank and the IMF accused of the woes of Africa. American actor Danny Glover, who helped fund the film, has a bit part.
I also looked at the contribution by African women to this years festival starting with Cape Verdian film maker, Claire Andrade’s film “Some Kind of Funny Porto Rican? (A Cape Verdean American Story) has been selected to compete for the Paul Robeson Diaspora Prize.
SKFPR? is the largely unknown story about immigrants from the Cape Verde Islands in the Fox Point neighborhood in Providence, Rhode Island, the second oldest and largest Cape Verdean community in America. The film opened theatrically in the United States in January 2006 at the Museum of Fine Arts in Boston, Massachusetts to a sold out house. The documentary continued throughout 2006 to receive critical and popular acclaim at theatres, festivals, universities and select venue screenings.
Other African women showing at the festival are Zimbabwean writer, Tsitsi Dangaremgba [documentary - “Growing Stronger“]; Rwandan, Jacqueline Kalimunda [documentary - “Homeland“]; Algerian, Fatma Zorha Zamoum [Short “LA PELOTE DE LAINE”].
Tags: FESPACO; Burkina Faso
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4 Comments so far
1. Georgia/Caribbean Free Radio
February 23rd, 2007 at 9:07 pm
Thanks for this, Sokari.
I’ve always dreamed of attending FESPACO. One day I’ll get there….
2. annie Moore
February 26th, 2007 at 7:01 am
I had no idea why it was so hard to get the films. It saddens me greatly. What can we do, as individuals, (or within Universities, African-American Studies Programs) to try to get these films known to larger publics?
3. Annansi Chronicles » Whitaker win one for African film industry
February 26th, 2007 at 5:40 pm
[…] By now you’ve all heard that Forest Whitaker won the Best Actor Oscar for his portrayal of Ugandan dictator Idi Amin. While this is another big boost for Black actors in general, it is more of a validation of African film. Before the awards I was speaking to my partner at the film commission about what the implications of a win like this will be. One thing he emphasized was how more African films will mean more roles for black actors. I think one thing that many people, especially Africans, overlook is the relationship between African-American progress and African progress. While we rarely expound on the connection, Whitaker’s win shows how African stories can provide unlimited opportunities for African-American actors and producers to create award-winning films. While many producers have looked primarily to South Africa and apartheid for strong African stories in the past, Whitaker’s win shows that there are more than enough stories to develop on the continent. That’s why Dreamgirls’ Danny Glover skipped the Oscars to attend the Pan African Film and Television Festival in Ouagadougou, Burkina Faso. Now that the word is out, the goal must be to encourage more African screenplays (preferably from Africans themselves) and get African stories told by African people. While I’m glad Warner Bros. made the effort to make Blood Diamond, I think the studios can now see the benefit of telling African stories from an African’s perspective using African/African-American talent. And while “The Last King of Scotland” wasn’t a blockbuster at the theaters, at this point we see there is a large enough audience interested in seeing a African film that is given the budget both independent and blockbuster Western movies enjoy. ::::: Tags:African identity, blood diamonds, Burkina Fasso, Business, celebrity, Events, Film/Television, Politics, pop culture, Sierra Leone, Travel Uganda […]
4. tumzo
May 8th, 2008 at 1:56 pm
i watched THE LAST KING OF SCOTLAND and guess wat happens in th first 5 minutes of th movie..white doctor tht jst arrived in uganda lays the first ugandan gal he meets…th doctor goes ahead to lay th presidents wife and GUESS WAT th only white lady in th movie manages to completely resist th docs advances and is depicted as being faithful to her husband….,then i watched CATCH THE SUN..a south african movie telling th tales of one mans fight in the stuggle to end apartheid…ANYWAY wat is interesting is th last king of scotland was highly accepted in the many parts of the western world and also sold very higly YET catch th sun received low acceptance nd didnt sale much either..the contrast is that th western world wont accept anything less than wat they beliv they kno abt AFRICA and they’ll wont accept..OK then watch BLOOD DIAMONDS it depicts th killing mines of africa and also sales highly….HONESTLY this trend could be deliberate and we AFRICANS MUST work on ways to stop this tendency of bein depicted as th cancerous part of th world…PEACE AND LOVE IN ONE AFRICA